The nights grow darker and descend ever earlier, highlighting the strangeness of my life. I've been trying to get up before seven in the mornings, when it is still quite dim, and by the time I get around to dinner it is already dark and cold. And my day has, really, just begun: after dinner I get to start the "studying" part of my studies, completing tasks which are seeming increasingly irrelevant and... separated from what I want to be doing. I've a whole stack of books and stories I want to read - not frivolous things, things I want to study, big thick theoretical literary and theological works I'd love love love to spend a solid week devouring and digesting and meditating on, and I can't, because (and this is a painful thing to have to type) I have to instead read Gertrude. FRICKING. Stein.
(Shudder.) It's not that I hate modernists. Give me Woolf or Eliot any day. Hell, give me James Joyce. But... Stein. Man. It's cruel that she exists in the same universe as me. I mean, when we've reached this point of the semester, Muppets in drag will follow.
So, in sum, my schooling is interfering with my education, and I am doubtful that this situation will ever improve itself, and I am questioning my previously-unquestioned plan to simply coast my way through the academic track, grad school to more grad school to professorship to tenure, because if it only gets worse, and not better, from here, then I'm doomed. I know I write less in terms of output now than I did in high school, and I think I've actually gotten worse in terms of creativity...do I really want to do this for the rest of my life? And if not, what do I want to do?
Which brings me to the two seemingly disparate topics of tonight's post: self-care and men.
The latter is more fun, so I will address it first. It has recently been suggested, by various well-meaning but dismayed adult consultants, and half-humorously (but half-not), that I simply marry a rich middle-aged man and make his evening years more comfortable, while publishing novels in my (ample) spare time. This...is actually sounding more and more like a good idea, which frightens me. This could be my future.
But... well, as always, Destiny's Child explains the situation a little more eloquently than I can. And, well, compared to the run of men my own age, quiet sensible middle-aged men are looking pretty damn' fine.
Which leads to my nascent dissertation on the stages of a man's life, and why all of us trying to avoid gold-digger-dom are increasingly screwed. Here, then, with apologies to Shakespeare: The Stages of Man.
1) Little Boy: Many never progress beyond this stage (and can be seen wandering around campus, in their basketball shorts and stained T's, see earlier posts). They are mostly harmless, but also have a hard time conceiving of the world beyond their impulses and desires. They relate to others mostly in terms of Pleasure or Utility (to borrow Aristotle's categories) and generally slouch around having tantrums, being bored by anything that is not centered around them, and (not to harp on it) wearing basketball shorts. Everywhere.
Reaction to poop joke: loud, slack-jawed laughter. Bonus points if the voice cracks.
2) Geek: This is when boys start having interests, realize that girls exist and are actually kind of really different than their guy friends, and have a crisis of confidence. This is the "shy and sensitive" kind that, in all likelyhood, is just too insecure to say what he thinks and tends to hero-worship sympathetic female friends -- from afar. Also, somehow having an awareness that social faux pas exist makes them more awkward than type 1. Sometimes showering or wearing correctly sized clothes can be a problem. There is some hope for this type, as with patience and coaxing, they can sometimes be formed into decent specimens of humanity. However, they represent a considerable investment of time and energy, and what we're looking for is someone to make an investment in us. Of money, in case that wasn't clear. And red-hot lovin' wouldn't hurt, either.
Reaction to poop joke: Laughter, but surreptitious, hastily stifled, and in some cases eschewed in favor of some biting comment about maturity that only serves to highlight their bitterness over not getting to enjoy the poop joke.
3) Man: sometimes at first mistaken for the more well-groomed specimens of type 1 (a subspecies I like to call "Player," the "Cute -- but he knows it" flavor, or, alternatively, "Manslut"). They have a certain swagger which may be more or less defined depending on the Man's manners, education, and inherent intra/extraversion. Nevertheless, it will become apparent in certain situations when the Man will act a bit like an ass, without regard for what anyone else thinks. However, their decisions will be in line with an internal reason that has more to do with objective reflection on experience than the desire or whim of the moment, and if the Man is a good one, your initial irritation at their presumption will be softened by your appreciation of their integrity (by which I mean they are integrated, they "move as one" -- like integers -- there's minimal hypocrisy, and for the most part everyone is rampantly hypocritical. How many times have you said to yourself today, 'I know I shouldn't, but (fill in reason).')
This is, incidentally, both the type that is rare not only on most mid-sized private libarts college campuses, and the type I find devastatingly attractive.
Reaction to poop joke: Loud, full-throated laughter, and if a girl standing next to them should happen to shoot them a disapproving look, their reaction will not be a defensive "Whut?" (type 1) or a sheepish grin (type 2) but a tolerantly amused glance.
There. Now you all know my thoughts on the subject.
Part II: Self Care, Sweaters, and the Hierarchy of Metaphor.
During the long weekend, I contemplated all of the evil things I had to do with my time when I would rather be doing other things, and whether or not I was doing the right thing with my life after all, and while I was engaged in these salutory meditations, I found myself getting guilty. How dare I try and figure out what I wanted? Didn't I know there were clothes to wash, homeworks to do, children starving in Haiti? How did I muster the gall to take a time out and sit quietly?
I don't know if guys do this. Chicks do. All the time. I call it the Female Self-Martyring Syndrome to distinguish it from ordinary "martyring" because a martyr usually has a worthy cause, but FSMS is its own cause -- that and the confused identity of the nurturer perpetrating it. Basically, it's the idea that we are not allowed to take care of ourselves, because that's what horrible selfish people do and we should be spending everything in the service of our careers, our families, our friends, our communities -- what-have-you. I was wrestling with this a bit because, though I am as prone as any other female to think that I am responsible for everything, I've always resisted the FSMS label because it feels too facile, too self-indulgent, too pop-psychology. (Besides, what if it really is my fault every time something goes wrong?)
Then I had a revelation. We are not ourselves. We are the greatest gift we've ever received.
We are, in essence, a cashmere sweater.
I shall elaborate. Philosophers have wrestled for aeons with the question of what human consciousness and identity is, and no one's come up with a simple answer. To what do we owe the unique mix of drives, tastes, experiential frameworks, and emotional responses that make up our usness? Evolution? Random chance? The kindness/cruelty/indifference of the Universe? We don't know. We didn't do anything to earn ourselves. The least we can do is be grateful for our selfhood.
And here is where the hierarchy of metaphor comes in handy. What is gratitude? What does it look like? Well, say you randomly got a really nice cashmere sweater one day -- apropos of nothing, from a maiden aunt you hadn't seen or written to in years, who doesn't have all that much money and, hey, we're talking a nice sweater. The sort of thing I have detailed, faintly melancholy, "when-I'm-a-grown-up-I'll-dress-like-that" daydreams about. Like, upward of $200.
How would you properly show gratitude for it?
Well, you could put it in the closet and never wear it, for fear of "wrecking" it, but that would just be a waste of a good sweater. Alternatively, you could wear it all the time, even when making chocolate mousse and painting the garage, and never wash it. It'd be trashed in a matter of weeks. That also would be a waste. If you made sure it was clean and ironed it before an important interview or job presentation, and then you told your maiden aunt how nice it had been to have such a cool sweater at such a significant time, that'd be pretty cool. If you took care to have it dry-cleaned and mended when it (inevitably) got runs, that'd be good too.
And if, say, you met a friend on the street with a significant roadburn, then there would be two wrong things to do. You could decline to help entirely, saying that you can't afford to risk your sweater since your sweet Aunt Mabel gave it to you, and wouldn't she be disappointed if it was ruined, etc. (One imagines the friend would then send sweet Aunt Mabel hate mail, and she'd have a crisis over your dishonoring of the family name and write you out of her will and perhaps passive-aggressively contract tuberculosis and guilt you about it.) On the other hand, if you whipped off that sweater and used it to daub Neosporin on your friend's arm, when the raggedy T-shirt you were wearing under it would have sufficed -- well, that's not quite cool either.
We are the cashmere sweater. Or rather, "we" are transcendent identity (see the protoexistentialists on the irreduceable "I") and the sweater, all snuggly-warm and completely unmerited around our fragile selves, is our drives, emotions, needs, fears, personality bits, etc. It's easy to think it selfish to take care of that sweater when it gets run-down, but it's only selfish if we're going around thinking that we are ourselves...if that makes sense. If, however, you start to think about the gift of your self (all your strengths and subjectivity and suchlike) and what it's enabled you to do and experience, and realize that it's not something you created, own, or have any control over...suddenly, taking care of that sweater, and "knitting the ravelled sleeve of care," and letting other people pick up the slack sometimes, and sacrificing minor external responsibilities in favor of this bigger one, seems a lot less like selfish indulgence and a lot more like the prudent, sane actions of someone humbled by their own mysteriousness.
This is the high and rarefied argument with which I hope to excuse my current immersion in Oprah magazines and attempts to identify my inner child, nurture my creative self, and, ultimately, justify my loveless marriage.
If that makes sense.
I leave you with Britney Spears's rendition of what will likely become my classy!golddigging theme song, as I attempt to charm the wealthy but reserved with equal parts sparkling wit, youthful naivete, and judicious sock-based augmentations.
Good night, LA.
Wednesday, October 19, 2011
Sunday, October 2, 2011
Further Ramblings
It is now very autumny and properly October, which is most satisfying. Life proceeds, leaving me trotting in its wake, calling with faint hope, "Wait, you dropped me!" At the moment, though I am drenched in agenda ("things that MUST be done") I have no motivation to do...any of it. I am instead enveloped in a horrible but vague dread and mournfulness. Thus, I am blogging, hoping that doing something I meant to do but don't have to do will soften my mental block and ease me into productivity.
Also, procrastination. But I am surrendering to the impulse. I think it's the only thing I can do.
This feeling of abstraction from self is a fairly common one for me, and also one I am not supposed to encourage. Overactive Vata, excessive Fiveishness, call it what thou wilt, according to what character assessment system thee pleaseth, fact is I'm currently hiding from my body. The cure for this is usually: a) doing the work that you keep not wanting to do and b) to prevent recurrence of same, exercise. I do not enjoy exercise, as a rule, though I am very fond of walks. However, there is one thing that gets me excited about my physicality: stabbing people.
See, I have a well-subverted but also dangerously well-developed violent streak. Others may choose to deliver vengeance through snide comments or revocation of privilege, but if a situation gets dire enough that I feel redress may be necessary, in my heart of hearts I want to stab. I want physical and permanent marks of the dissatisfaction that has finally grown severe enough to develop into rage. There is very little betwixt and between for me. Either I am slightly miffed, but not miffed enough to mention it, or I want to kill you.
This proves problematic, since (for God only knows what weak Enlightened reason) society has seen fit to outlaw duelling as a method of conflict resolution. Thus I am forced to sublimate and re-sublimate my (very) occasional murderous impulses, creating a cycle of anger that gets self-directed, spawning more hurt which spawns more anger, etc., etc. My solution: reintroduce the duel, with the stipulation that it be nonfatal.
I mean, fighting for sport is already widespread. Boxing, "wrestling," various Eastern imports, paintball, fencing -- all of these are ritualized combat, and their appeal is that of competition in its rawest form -- that is, the primal I AM BETTER THAN YOU because I can use my body and mind to physically wreck your s*** and keep you from doing the same to me. We are all the discontents of civilization -- we all feel the need to defend our self-interests, and are prevented from doing so because of "morals" and "humanity" and other such trivial things. Now, I am generally a fan of civilization and know that if it were removed I would be probably number 213 worldwide to die as a result. However, this does not prevent me -- and apparently others -- from feeling a little frustrated sometimes, and so long as the lethal element is removed, the controlled and regulated expression of violence is, I think, quite healthy.
So why not go a step further? If, after a terrible day at the office, it's wonderfully freeing to work out your frustrations upon the bodies of those towards whom you are favorably disposed, how much more satisfying to call out Bob from Accounting when he finishes off the office coffee without making more for the TWENTY-NINTH TIME? How much more healing to externalize the conflict, to formally begin and end it? How much more soothing, if you could look upon the bruises you inflicted and feel not a sneaking guilty pride but a calm satisfaction at an injury well and honestly redressed? And how much more effective in the long term, if you could sufficiently thrash Bob, not with forced pseudocourteous words but with your WEAPON, so that he bore the memory of your "conversation" in his very neurons, and every time he walked by your cubicle with his empty mug you could smile ever so pleasantly and remind him of the hurting you will lay upon him if he continues to disregard your reasonable requests?
I think this is a far more humane method of conflict resolution. Some will protest that the strongest will naturally get their way all the time; for one thing, this is already the case, and for another, even a pathetic shrimp such as myself, if sufficiently motivated and trained, can become a force to be reckoned with when given a sword: violence is the equalizer, while civilization gives the advantage not to the physically strong but to the morally unscrupulous. Finally, would it not increase our fear of violating the rights of another person, our respect for the mystery of their inviolability?
Bah. I grow excessively misty-eyed over the pleasures of jabbing metal into other people. Most likely this represents a character flaw on my part, but screw it, we all have our flaws, and it is good to recognize them. Also, it is good to stab. Powerfully, unbelievably good.
On this note we segue into the Adorable Dog Breed That Wants To Kill You feature: the Borzoi. Also known as the Russian Wolfhound, they're delicate, beautiful, a little dopey-looking with their long curvy noses, and frankly almost effete. Their character is that of an aged spinster aunt: passive-aggressive, nondemonstrative, dignified, quietly loyal. Which is why I take great pleasure in showing you the two sides of their personality they don't want you to know about:
PUPPIES!!! Oh gracious, they're so cute. They just want to chase and chase....
...and chase. Yeah, Russians use these to kill WOLVES. Which means most likely they can kill you. With more beauty, grace, style, and ruthless efficiency than you will ever be able to muster. Certainly with more than I can muster in the execution of such basic tasks as completing my homework.
Needless to say I badly want one.
With this I leave you, dear readers (all three of you). Heartsstarshorseshoes.
Also, procrastination. But I am surrendering to the impulse. I think it's the only thing I can do.
This feeling of abstraction from self is a fairly common one for me, and also one I am not supposed to encourage. Overactive Vata, excessive Fiveishness, call it what thou wilt, according to what character assessment system thee pleaseth, fact is I'm currently hiding from my body. The cure for this is usually: a) doing the work that you keep not wanting to do and b) to prevent recurrence of same, exercise. I do not enjoy exercise, as a rule, though I am very fond of walks. However, there is one thing that gets me excited about my physicality: stabbing people.
See, I have a well-subverted but also dangerously well-developed violent streak. Others may choose to deliver vengeance through snide comments or revocation of privilege, but if a situation gets dire enough that I feel redress may be necessary, in my heart of hearts I want to stab. I want physical and permanent marks of the dissatisfaction that has finally grown severe enough to develop into rage. There is very little betwixt and between for me. Either I am slightly miffed, but not miffed enough to mention it, or I want to kill you.
This proves problematic, since (for God only knows what weak Enlightened reason) society has seen fit to outlaw duelling as a method of conflict resolution. Thus I am forced to sublimate and re-sublimate my (very) occasional murderous impulses, creating a cycle of anger that gets self-directed, spawning more hurt which spawns more anger, etc., etc. My solution: reintroduce the duel, with the stipulation that it be nonfatal.
I mean, fighting for sport is already widespread. Boxing, "wrestling," various Eastern imports, paintball, fencing -- all of these are ritualized combat, and their appeal is that of competition in its rawest form -- that is, the primal I AM BETTER THAN YOU because I can use my body and mind to physically wreck your s*** and keep you from doing the same to me. We are all the discontents of civilization -- we all feel the need to defend our self-interests, and are prevented from doing so because of "morals" and "humanity" and other such trivial things. Now, I am generally a fan of civilization and know that if it were removed I would be probably number 213 worldwide to die as a result. However, this does not prevent me -- and apparently others -- from feeling a little frustrated sometimes, and so long as the lethal element is removed, the controlled and regulated expression of violence is, I think, quite healthy.
So why not go a step further? If, after a terrible day at the office, it's wonderfully freeing to work out your frustrations upon the bodies of those towards whom you are favorably disposed, how much more satisfying to call out Bob from Accounting when he finishes off the office coffee without making more for the TWENTY-NINTH TIME? How much more healing to externalize the conflict, to formally begin and end it? How much more soothing, if you could look upon the bruises you inflicted and feel not a sneaking guilty pride but a calm satisfaction at an injury well and honestly redressed? And how much more effective in the long term, if you could sufficiently thrash Bob, not with forced pseudocourteous words but with your WEAPON, so that he bore the memory of your "conversation" in his very neurons, and every time he walked by your cubicle with his empty mug you could smile ever so pleasantly and remind him of the hurting you will lay upon him if he continues to disregard your reasonable requests?
I think this is a far more humane method of conflict resolution. Some will protest that the strongest will naturally get their way all the time; for one thing, this is already the case, and for another, even a pathetic shrimp such as myself, if sufficiently motivated and trained, can become a force to be reckoned with when given a sword: violence is the equalizer, while civilization gives the advantage not to the physically strong but to the morally unscrupulous. Finally, would it not increase our fear of violating the rights of another person, our respect for the mystery of their inviolability?
Bah. I grow excessively misty-eyed over the pleasures of jabbing metal into other people. Most likely this represents a character flaw on my part, but screw it, we all have our flaws, and it is good to recognize them. Also, it is good to stab. Powerfully, unbelievably good.
On this note we segue into the Adorable Dog Breed That Wants To Kill You feature: the Borzoi. Also known as the Russian Wolfhound, they're delicate, beautiful, a little dopey-looking with their long curvy noses, and frankly almost effete. Their character is that of an aged spinster aunt: passive-aggressive, nondemonstrative, dignified, quietly loyal. Which is why I take great pleasure in showing you the two sides of their personality they don't want you to know about:
PUPPIES!!! Oh gracious, they're so cute. They just want to chase and chase....
...and chase. Yeah, Russians use these to kill WOLVES. Which means most likely they can kill you. With more beauty, grace, style, and ruthless efficiency than you will ever be able to muster. Certainly with more than I can muster in the execution of such basic tasks as completing my homework.
Needless to say I badly want one.
With this I leave you, dear readers (all three of you). Heartsstarshorseshoes.
Wednesday, September 21, 2011
Autumnal Ramblings
Greetings, O my dear tutelae! (That means objects of my protection and patronage). It is a lovely day where I am. I never noticed before how beautiful the Spokane area is, and I don't know why. My attic commands a view of the surrounding hills and rooftops and they look very remote, enforcing the impression of a sheltered valley beyond which There Be Dragons (in the very best sense; dragons one can desire passionately, just not in one's front yard, to paraphrase the good JRR.)
This is very pleasing. And we are all about the pleasure here.
Classes proceed apace. There is something very satisfying about fall, but also something tormenting in its depths of restlessness and melancholy. For one thing, to be proceding from class to class, getting one's days into a rhythm that one manages effortlessly, as one manages one's breath, feeling the pleasant exhaustion of a full day well spent and good work done skillfully are all necessary elements of a good, happy, and productive life and autumn seems to be their season -- whether by nature or by use or both, dead leaves and crisp mornings cry out for industry. Also, jackets. These are important.
However, the weather does odd things to me. Fog, rain, twilights and grey dawns, foreign winds, the slant of the sun through the clouds, the smell of the air just after sundown before it gets really cold -- it engenders a terrible wanderlust. Fortasse (that's 'perhaps') this has something to do with Halloween, particularly black and white horror movies, the aesthetic of which I'm afraid I never quite recovered from. Fall to me says that hey, maybe your next-door neighbor really is a werewolf after all, maybe there is something in the music building watching you, maybe your lights keep going out because demon badgers are in your basement trying to lure you down to the breaker box so they can pounce on you. Maybe the whole world is illuminated with terrifying but splendid things.
For some reason, thoughts of terror are more pleasing to me in fall than in winter. I propose that there is a reason -- a complicated one -- for this. For one thing, fall is melancholy. It is the moment where summer turns, as it must, to decay, and it is the knowledge of this incipiant mortality that makes the whole three months beautifully sad. However, winter is not melancholy; it is despair. I suspect that I must have a little SAD, because sometimes it's all I can do to get through the winter months. They seem to me not sad but bitterly ugly and mundane. They inspire not reflection or restlessness of spirit but anger laid over a core of apathy. Winter says this is your life; it is miserable and changeless and terribly trivial.
Fall is, in essence, a Danish or an Icelandic warrior. It says: we are ending, we are dying, and this is a great sorrow because life is glorious, but it is also an honor and a pleasure because life is most glorious in proximity to death. The sun is most beautiful breaking through clouds; the trees are most beautiful when their leaves die. For this reason, horror as genre thrives in fall, where death is close but beauty closer. Winter is not a time to engage in horror as genre. It is horror as life, the ninth circle of hell. (Can you tell I really don't like winter?)
To sum up, contemplating fallish things, I am filled with a visceral longing for something (though I'm blessed if I know what). CS Lewis defines joy as a painful sensation that we crave; fall, then, is very joyful.
Now for a more serious matter, which I call The Snarling Id is a Misogynist Bastard Take Two.
It involves sartorial considerations and the frequent abuses of the words Modesty, Chastity, and Humility. As before, this issue seems to divide the world into two camps, both of which are, in their extremer forms, intolerably smug. I hereby attempt to hash out a via media (that's 'middle way') that, to my mind, more accurately represents what most people on both sides of the issue actually feel and do in relation to what they choose to put on in the morning.
The first camp (the 'traditional' camp) says that one should dress like a lady and/or gentleman (but mostly like a lady). It basically says that since men are pigs, women are under an obligation to cover up...and cover up... and cover up some more. There is a problem with this: in today's world (yeah, yeah, I know, modernity is bunk, but unfortunately we inhabit it, or something close thereto) the women who wear very plain-Jane clothes (invariably long skirts, shirts that are not merely reasonable but cocoon-like) run the risk of calling attention to themselves as "very definitively NOT sexual objects." I feel like this is something akin to telling all the men of the world not to think of pink...elephants. They're going to be thinking about the ...elephants -- maybe not with regards to the ubermodest one who walks by them, but all of a sudden the ...elephant of women and how they look in their clothes has been brought to mind, and the next five leggings-and-UGGs girls who walk by are going to be seen in relation to ...elephants.
Additionally, and now this is just amoral ranting and personal aesthetic preference (which is what the Snarling Id is about), there's something very off-puttingly... pious about the obviously modest girls. I don't mean pious as in having an understandable fear of and reverence for things regarded as sacred; not in the sense of "pietas Aeneas" or whathaveyou. I mean it in the worst sense, the sense that gets used most nowadays, that of holier-than-thou snobbery or smiling brainwashed obedience to arbitrary authority.
I think I've probably offended the first half of my reader base by now, so I'll clarify: I admire the girls willing to stick it to the culture that says women are only valued in relation to their boobage and do not mean to suggest that all of them are passive-aggressive snobs. But sometimes it can seem that way, and I think sometimes a "false dichotomy" is introduced (I quotesmark that phrase because someone used it near me recently and that's why it comes to mind, not because of any native genius) between the culturally prescribed clothing norms and respect of oneself and one's body.
The final issue with this is its inescapable sexism. Yes, guys are a more visual species (term used loosely) and more easily led to objectify women, so yes, chicks have more sartorial power than guys. BUT. You honestly cannot tell me that women are not... more than academically interested when guys in rather brief shorts and no shirts at all are diving and flailing upon the field of battle... or, okay, of soccer. The existence of male strippers proves that men and their clothing can be just as provocative as women. And I don't think you're going to be able to convince men to worry about their virtue. Further, what of the material goods that science says function in much the same way for women as physical, um, goods do for men? Are we going to decry Lamborghinis as immodest and unchaste? How about eye contact and romantic poetry? The color red?
On the other hand (and, again, more insidiously) there is the "modern" world which says in essence, "Hey, I dress how I feel comfortable, and that's my decision, so you have no right to judge me."
There are problems with this.
First of all, I do have the right to judge you, as a person, by the choices you make and actions you perform. I can't judge you as subhuman but I can judge you as acting idiotically. And your decision to wear bondage gear (or a sports bra and unnecessarily tiny running shorts) to statistics class today is (I'm sorry) fair grounds upon which I may judge your mental state, the message you wish to send, and your overall classiness.
So there's that out of the way.
Secondly, I'd like to discuss class, a word often tossed cavalierly about but having a variety of shades of meaning. First of all, there is the unclassiness of sluttery. This is its own special category, because most of the girls who wear the teeny tiny stuff -- you know, the egregious stuff, the stuff that makes other women go "Really?" and men... either pigs, or very sad gentlemen -- right, these girls deserve our...I don't want to say "pity" because for me that's really close to "scorn"... perhaps sympathy? I mean, they're looking for attention. We all know it's not a kind of attention we'd want, but maybe it's the only thing they can think of. I don't think they get up in the mornings and think, "Wow, I'd like some shallow offensive meaningless interaction today!" It's probably closer to what most of us are thinking: "Sweet Cheesecake, I'm so inadequate. What happens if today they find out how much I suck? Why does no one quite get me?" And I humbly suggest that the reason we're so infuriated by this kind of cry for attention is because a) it works and b) somewhere deep down inside we're all terribly jealous.
I don't know if any guys even bother reading this, but I can't speak for you. Men trying to be decent human beings will probably try to resist the urge to blatantly ogle the unfortunate, just as girls trying to be decent resist the temptation to enslave you all with our cleavage. The INdecent of both genders are more to be pitied (there, I said it!) than cast into the outer darkness.
No, the true, deep, and insidious threat to class is in the laziness to which this kind of "whatever screw you it's my choice" paradigm has led us. The problem I have with girls in Uggs and leggings is the same problem I have with guys in basketball shorts and stained tees. I mean, who are they trying to impress?
No one.
And they don't care who knows it.
The true issue for me is not whether or not one dresses in such a way as to conceal or highlight one's sexual beauty. The issue here is modesty, chastity, and humility -- in their purest sense. People seem to think that modest dressing equals blatantly prudish. For me, modesty most closely means humility. Say two people are going to be introduced to the president. One decides to be classy and dresses in a nice suit and does his hair. The other rolls out of bed and shows up in (I don't want to belabor the point) basketball shorts and a stained tee. Who has more respect for the president?
Furthermore: it's one thing to dress crappy because that's all you can afford. But I feel like next to no one in the First World has this problem. In many cases, a cheap but decent suit can be had for infinitely less than we spend on designer jeans and tee shirts or (heaven forfend) Juicy Couture velveteen sweat suits. It's like we spend more money showing how casual we are, how we don't seem to be impressed enough by anyone or anything to make an effort to neaten up.
That's why I think we should be bothered by the cult of just "letting it all hang loose": not because it will drag us down the slippery slope into moral and sexual turpitude, but because it shows how self-absorbed, lazy, and undisciplined we are; how much our self-esteem outweighs our self-respect; how numb we are to the distinctions of attitude we should have when approaching different activities. You cannot go through all of life with the same amount of concern and engagement you have on a trip to the gym or a Saturday morning hanging with your peeps in front of the TV.
A final note in defense of baring tasteful amounts of skin. As much as I want to be appreciated for my mind and heart, I also NEED to be appreciated as beautiful in the aesthetic/sexual sphere. As an incarnate person (or, to state it another way, a highly developed neurotic ape) I possess a body which itself possesses sexual traits, and these are good and beautiful. Not to be squandered in some futile plea for attention, not to be diligently concealed, but to be appreciated. It's possible I'm simply very insecure and desperately trying to justify my scandalous ways. But I'm gonna say it: I try to dress so that a) all the important bits are given their due respect and b) when I walk down the street, guys look up and maybe think, "Hm. Not bad."
So, yeah. Everyone dress up a little tomorrow. Jackets are good.
I leave you with a song that expresses the frustrations of many chicks (and maybe some guys?), a chance for P!nk to redeem herself.
Valete.
This is very pleasing. And we are all about the pleasure here.
Classes proceed apace. There is something very satisfying about fall, but also something tormenting in its depths of restlessness and melancholy. For one thing, to be proceding from class to class, getting one's days into a rhythm that one manages effortlessly, as one manages one's breath, feeling the pleasant exhaustion of a full day well spent and good work done skillfully are all necessary elements of a good, happy, and productive life and autumn seems to be their season -- whether by nature or by use or both, dead leaves and crisp mornings cry out for industry. Also, jackets. These are important.
However, the weather does odd things to me. Fog, rain, twilights and grey dawns, foreign winds, the slant of the sun through the clouds, the smell of the air just after sundown before it gets really cold -- it engenders a terrible wanderlust. Fortasse (that's 'perhaps') this has something to do with Halloween, particularly black and white horror movies, the aesthetic of which I'm afraid I never quite recovered from. Fall to me says that hey, maybe your next-door neighbor really is a werewolf after all, maybe there is something in the music building watching you, maybe your lights keep going out because demon badgers are in your basement trying to lure you down to the breaker box so they can pounce on you. Maybe the whole world is illuminated with terrifying but splendid things.
For some reason, thoughts of terror are more pleasing to me in fall than in winter. I propose that there is a reason -- a complicated one -- for this. For one thing, fall is melancholy. It is the moment where summer turns, as it must, to decay, and it is the knowledge of this incipiant mortality that makes the whole three months beautifully sad. However, winter is not melancholy; it is despair. I suspect that I must have a little SAD, because sometimes it's all I can do to get through the winter months. They seem to me not sad but bitterly ugly and mundane. They inspire not reflection or restlessness of spirit but anger laid over a core of apathy. Winter says this is your life; it is miserable and changeless and terribly trivial.
Fall is, in essence, a Danish or an Icelandic warrior. It says: we are ending, we are dying, and this is a great sorrow because life is glorious, but it is also an honor and a pleasure because life is most glorious in proximity to death. The sun is most beautiful breaking through clouds; the trees are most beautiful when their leaves die. For this reason, horror as genre thrives in fall, where death is close but beauty closer. Winter is not a time to engage in horror as genre. It is horror as life, the ninth circle of hell. (Can you tell I really don't like winter?)
To sum up, contemplating fallish things, I am filled with a visceral longing for something (though I'm blessed if I know what). CS Lewis defines joy as a painful sensation that we crave; fall, then, is very joyful.
Now for a more serious matter, which I call The Snarling Id is a Misogynist Bastard Take Two.
It involves sartorial considerations and the frequent abuses of the words Modesty, Chastity, and Humility. As before, this issue seems to divide the world into two camps, both of which are, in their extremer forms, intolerably smug. I hereby attempt to hash out a via media (that's 'middle way') that, to my mind, more accurately represents what most people on both sides of the issue actually feel and do in relation to what they choose to put on in the morning.
The first camp (the 'traditional' camp) says that one should dress like a lady and/or gentleman (but mostly like a lady). It basically says that since men are pigs, women are under an obligation to cover up...and cover up... and cover up some more. There is a problem with this: in today's world (yeah, yeah, I know, modernity is bunk, but unfortunately we inhabit it, or something close thereto) the women who wear very plain-Jane clothes (invariably long skirts, shirts that are not merely reasonable but cocoon-like) run the risk of calling attention to themselves as "very definitively NOT sexual objects." I feel like this is something akin to telling all the men of the world not to think of pink...elephants. They're going to be thinking about the ...elephants -- maybe not with regards to the ubermodest one who walks by them, but all of a sudden the ...elephant of women and how they look in their clothes has been brought to mind, and the next five leggings-and-UGGs girls who walk by are going to be seen in relation to ...elephants.
Additionally, and now this is just amoral ranting and personal aesthetic preference (which is what the Snarling Id is about), there's something very off-puttingly... pious about the obviously modest girls. I don't mean pious as in having an understandable fear of and reverence for things regarded as sacred; not in the sense of "pietas Aeneas" or whathaveyou. I mean it in the worst sense, the sense that gets used most nowadays, that of holier-than-thou snobbery or smiling brainwashed obedience to arbitrary authority.
I think I've probably offended the first half of my reader base by now, so I'll clarify: I admire the girls willing to stick it to the culture that says women are only valued in relation to their boobage and do not mean to suggest that all of them are passive-aggressive snobs. But sometimes it can seem that way, and I think sometimes a "false dichotomy" is introduced (I quotesmark that phrase because someone used it near me recently and that's why it comes to mind, not because of any native genius) between the culturally prescribed clothing norms and respect of oneself and one's body.
The final issue with this is its inescapable sexism. Yes, guys are a more visual species (term used loosely) and more easily led to objectify women, so yes, chicks have more sartorial power than guys. BUT. You honestly cannot tell me that women are not... more than academically interested when guys in rather brief shorts and no shirts at all are diving and flailing upon the field of battle... or, okay, of soccer. The existence of male strippers proves that men and their clothing can be just as provocative as women. And I don't think you're going to be able to convince men to worry about their virtue. Further, what of the material goods that science says function in much the same way for women as physical, um, goods do for men? Are we going to decry Lamborghinis as immodest and unchaste? How about eye contact and romantic poetry? The color red?
On the other hand (and, again, more insidiously) there is the "modern" world which says in essence, "Hey, I dress how I feel comfortable, and that's my decision, so you have no right to judge me."
There are problems with this.
First of all, I do have the right to judge you, as a person, by the choices you make and actions you perform. I can't judge you as subhuman but I can judge you as acting idiotically. And your decision to wear bondage gear (or a sports bra and unnecessarily tiny running shorts) to statistics class today is (I'm sorry) fair grounds upon which I may judge your mental state, the message you wish to send, and your overall classiness.
So there's that out of the way.
Secondly, I'd like to discuss class, a word often tossed cavalierly about but having a variety of shades of meaning. First of all, there is the unclassiness of sluttery. This is its own special category, because most of the girls who wear the teeny tiny stuff -- you know, the egregious stuff, the stuff that makes other women go "Really?" and men... either pigs, or very sad gentlemen -- right, these girls deserve our...I don't want to say "pity" because for me that's really close to "scorn"... perhaps sympathy? I mean, they're looking for attention. We all know it's not a kind of attention we'd want, but maybe it's the only thing they can think of. I don't think they get up in the mornings and think, "Wow, I'd like some shallow offensive meaningless interaction today!" It's probably closer to what most of us are thinking: "Sweet Cheesecake, I'm so inadequate. What happens if today they find out how much I suck? Why does no one quite get me?" And I humbly suggest that the reason we're so infuriated by this kind of cry for attention is because a) it works and b) somewhere deep down inside we're all terribly jealous.
I don't know if any guys even bother reading this, but I can't speak for you. Men trying to be decent human beings will probably try to resist the urge to blatantly ogle the unfortunate, just as girls trying to be decent resist the temptation to enslave you all with our cleavage. The INdecent of both genders are more to be pitied (there, I said it!) than cast into the outer darkness.
No, the true, deep, and insidious threat to class is in the laziness to which this kind of "whatever screw you it's my choice" paradigm has led us. The problem I have with girls in Uggs and leggings is the same problem I have with guys in basketball shorts and stained tees. I mean, who are they trying to impress?
No one.
And they don't care who knows it.
The true issue for me is not whether or not one dresses in such a way as to conceal or highlight one's sexual beauty. The issue here is modesty, chastity, and humility -- in their purest sense. People seem to think that modest dressing equals blatantly prudish. For me, modesty most closely means humility. Say two people are going to be introduced to the president. One decides to be classy and dresses in a nice suit and does his hair. The other rolls out of bed and shows up in (I don't want to belabor the point) basketball shorts and a stained tee. Who has more respect for the president?
Furthermore: it's one thing to dress crappy because that's all you can afford. But I feel like next to no one in the First World has this problem. In many cases, a cheap but decent suit can be had for infinitely less than we spend on designer jeans and tee shirts or (heaven forfend) Juicy Couture velveteen sweat suits. It's like we spend more money showing how casual we are, how we don't seem to be impressed enough by anyone or anything to make an effort to neaten up.
That's why I think we should be bothered by the cult of just "letting it all hang loose": not because it will drag us down the slippery slope into moral and sexual turpitude, but because it shows how self-absorbed, lazy, and undisciplined we are; how much our self-esteem outweighs our self-respect; how numb we are to the distinctions of attitude we should have when approaching different activities. You cannot go through all of life with the same amount of concern and engagement you have on a trip to the gym or a Saturday morning hanging with your peeps in front of the TV.
A final note in defense of baring tasteful amounts of skin. As much as I want to be appreciated for my mind and heart, I also NEED to be appreciated as beautiful in the aesthetic/sexual sphere. As an incarnate person (or, to state it another way, a highly developed neurotic ape) I possess a body which itself possesses sexual traits, and these are good and beautiful. Not to be squandered in some futile plea for attention, not to be diligently concealed, but to be appreciated. It's possible I'm simply very insecure and desperately trying to justify my scandalous ways. But I'm gonna say it: I try to dress so that a) all the important bits are given their due respect and b) when I walk down the street, guys look up and maybe think, "Hm. Not bad."
So, yeah. Everyone dress up a little tomorrow. Jackets are good.
I leave you with a song that expresses the frustrations of many chicks (and maybe some guys?), a chance for P!nk to redeem herself.
Valete.
Saturday, September 17, 2011
Gettin' Schooled
Today marks my survival of the third week of my junior year. And for a while there, it wasn't a sure thing that I'd make it through sanity intact.
My schedule has been tampered with (by myself), leading to a most irresponsible abandonment of social science credit for the pure pleasure that is Greek. (Divide those double consonants, my fellow Hellenist brethren!) My gluttony for punishment has led to much lunchtime and nighttime meeting for discussion with friends and club officers. My brain is overstimulated. My wallet grows ever thinner. And I have picked up a pesky tendency towards insomnia.
Despite all this I find myself radiantly happy.
I have a room all to myself this year, which is helpful when you're a privacy-craving and self-embarrassing shy creature like myself. The house on Sinto has been called a social experiment, and so far it is proving a successful one. Food is good. Classes are, for the most part, scintillating (though workload is a wee bit intense). I have...a few jobs, actually, which is good, though none of them have actually started paying me yet. That should start soon, though, and then I shall have great rejoicing and more than my currently ridiculously meagre balance to purchase Jackhammers with.
Additionally, I keep falling in love. Like a ridiculous amount. Like five times a week with different people. So far I have done nothing about this; defense of reasons below. Love is a terrible thing; never do it. But the male gender is beautiful and worshipful, especially when you catch them eyeing you with a certain dumb reverence, or when you startle them into smiling, or when you find yourself having conversations about megaphones with ones you've never (or only just) met. You know, I used to think that there were just not any good (moderately intelligent good-looking good-hearted) boys in the world. Now I begin to suspect that there are many who meet at least the minimal criteria.
To any who suffer for what seems to be a dearth of male attention I prescribe the following program:
1) Become convinced that you are a catch. It is not enough to think of yourself as tolerable, or even " better than the airhead bimbos who go through beaus like I go through Baudelaire." You are witty, smart, sensible, capable, confident, drop-dead gorgeous, and decent, and any guy with the self-awareness of a turnip would be flabbergasted by his good fortune should he land you.
2) However long you spend getting ready in the morning, take another three minutes.
3) Keep your head up and smile at everyone you make eye contact with. Smile deeply into the eyes of (and perhaps wave slightly at) anyone you think particularly interesting.
Now sit back and be astonished at the many random encounters with decent people, at least half of which should be of your gender of attraction, you have.
Not that I am saying this is a surefire way of finding one's soulmate on the first time round. In fact, being a single gal with pretensions to a wedded vocation, this idea has preyed upon my mind somewhat of late, and therefore we come to the first tentative proposition of this post.
I call it, "The Snarling Id is a misogynist bastard."
Now, ladies: the world is wretchedly unfair. Women achieve emotional maturity at around age 11, and as far as I can tell, men never do. (Poop. See, if you're a guy and you read that, you're laughing now.) Women are obliged to spend half an hour minimum every day touching up their appearances before entering the marketplace of commodified bodies, like Lady Gaga and the creepy Rape Auction in the "Bad Romance" music video, whereas men get kudos if they've showered in the past week. And added to this, women on the dating scene operate in some sort of weird limbo between different paradigms. One says women must allow men to make the decisions, because...well, to be honest, I have a hard time getting a straight answer on the "because."
However, the other is more nefarious. It tells us that we should reclaim our power when it comes to dating. It tells us men appreciate confident women who make the first move, that we can be sexy if we do that. It tells us that in addition to being fiscally independent, we should make a big deal out of this by paying our way. It, in sum, tells us that since men are so mind-bogglingly incompetent/underconfident/selfish/insensitive/ what-have-you, we should just take over dating from their sad chocolate-stained little-boy hands, like we're in the process of taking over money, the arts, higher education, ethics, and general personal development.
And all this sounds really convenient. Except now what do the men have to do except shrug off responsibility in yet another sphere?
This is where I probably start alienating the readers. And I don't want to do that, because I am extremely sympathetic to this urge. I've seen enough male incompetence in the social scene (lord, come up to my ROOM, we can TALK about male incompetence) to be extremely tempted to just say "screw it" and orchestrate a romance -- ensnare a victim. But here's the crux: I can't do it. While I'm busy showing boys how to fix their essays and arguing theology with them and writing better fiction than them and dressing far snazzier than them, I don't also have time to effect a seduction. It makes me feel all tight and sick and miserable inside when I try. I love admiring boys, but when I add "convince one to ask me out and make him think it was all his idea" to my list of "things I do with men," (minds out of the gutter) it melts my day. It turns me into an insecure and shallow person of about age 12, analyzing every twitch of the face instead of composing my epic poem about the Missoula Floods. In sum, when I try to take over from boys in the dating sphere, I just end up resubjugating myself.
(Is 'resubjugating' a word? It should be. So too should 'scagwad,' as in, 'Eat plaster, you scagwads!' I hope one of these catches on.)
Speaking of scagwads -- has anyone thought that maybe, what with all the vital societal work that women do silently, efficiently, as easily as breathing, for millenia, maybe it's not entirely too much to expect a young man, even a confused and immature young man (because is there really any other kind?) to put on real clothes, risk vulnerability and rejection, approach a nice young lady, and offer to buy her coffee? Is it SO much to ask that boys do their fair share and engage in some courtship rituals? I don't think so. And I've realized that I don't want to be in a relationship dependant on my own clever engineering and mind control. I want a boy so devastated by my grasp of literary theory (or perhaps simply my liquid eyes and slammin' bod) that he is willing and eager to make a bit of effort so he might, quote, "get with this."
So as part of my personal women's lib, I have decided to engage in a social experiment. For one year, I shall confine my boyhunting to the general 3-step program outlined above. And in terms of initiating encounters, I shall restrain myself to that. Want to talk after class? Walk fast and catch up, cause I ain't lingering. Want to go somewhere, drink something? Great, you're paying/driving/deciding what and where. I refuse to keep mooning about. I am too damn busy to chase you. I am ready to be wooed. My motives here are purely selfish and mostly worldly, so I don't want this to read like some fluffy soft prairie-skirt Christian pseudo-chivalry code. I'd just like some class, and for some reason I don't think I'm particularly out of touch on this issue.
Savvy?
And if, after one year, this has failed to get me a decent date with a guy I actually don't hate/feel super-awkward around, then, come next September, I will get schmammered and slizzared at the Honors Program retreat and make it to first base with the first freshman male who's taller than me.
As a parting shot, I offer TLC and their thoughts on the male-female dynamic and power differential. Take it away, ladies.
Good night, good luck, and everyone remember to use the word scagwad in conversation.
My schedule has been tampered with (by myself), leading to a most irresponsible abandonment of social science credit for the pure pleasure that is Greek. (Divide those double consonants, my fellow Hellenist brethren!) My gluttony for punishment has led to much lunchtime and nighttime meeting for discussion with friends and club officers. My brain is overstimulated. My wallet grows ever thinner. And I have picked up a pesky tendency towards insomnia.
Despite all this I find myself radiantly happy.
I have a room all to myself this year, which is helpful when you're a privacy-craving and self-embarrassing shy creature like myself. The house on Sinto has been called a social experiment, and so far it is proving a successful one. Food is good. Classes are, for the most part, scintillating (though workload is a wee bit intense). I have...a few jobs, actually, which is good, though none of them have actually started paying me yet. That should start soon, though, and then I shall have great rejoicing and more than my currently ridiculously meagre balance to purchase Jackhammers with.
Additionally, I keep falling in love. Like a ridiculous amount. Like five times a week with different people. So far I have done nothing about this; defense of reasons below. Love is a terrible thing; never do it. But the male gender is beautiful and worshipful, especially when you catch them eyeing you with a certain dumb reverence, or when you startle them into smiling, or when you find yourself having conversations about megaphones with ones you've never (or only just) met. You know, I used to think that there were just not any good (moderately intelligent good-looking good-hearted) boys in the world. Now I begin to suspect that there are many who meet at least the minimal criteria.
To any who suffer for what seems to be a dearth of male attention I prescribe the following program:
1) Become convinced that you are a catch. It is not enough to think of yourself as tolerable, or even " better than the airhead bimbos who go through beaus like I go through Baudelaire." You are witty, smart, sensible, capable, confident, drop-dead gorgeous, and decent, and any guy with the self-awareness of a turnip would be flabbergasted by his good fortune should he land you.
2) However long you spend getting ready in the morning, take another three minutes.
3) Keep your head up and smile at everyone you make eye contact with. Smile deeply into the eyes of (and perhaps wave slightly at) anyone you think particularly interesting.
Now sit back and be astonished at the many random encounters with decent people, at least half of which should be of your gender of attraction, you have.
Not that I am saying this is a surefire way of finding one's soulmate on the first time round. In fact, being a single gal with pretensions to a wedded vocation, this idea has preyed upon my mind somewhat of late, and therefore we come to the first tentative proposition of this post.
I call it, "The Snarling Id is a misogynist bastard."
Now, ladies: the world is wretchedly unfair. Women achieve emotional maturity at around age 11, and as far as I can tell, men never do. (Poop. See, if you're a guy and you read that, you're laughing now.) Women are obliged to spend half an hour minimum every day touching up their appearances before entering the marketplace of commodified bodies, like Lady Gaga and the creepy Rape Auction in the "Bad Romance" music video, whereas men get kudos if they've showered in the past week. And added to this, women on the dating scene operate in some sort of weird limbo between different paradigms. One says women must allow men to make the decisions, because...well, to be honest, I have a hard time getting a straight answer on the "because."
However, the other is more nefarious. It tells us that we should reclaim our power when it comes to dating. It tells us men appreciate confident women who make the first move, that we can be sexy if we do that. It tells us that in addition to being fiscally independent, we should make a big deal out of this by paying our way. It, in sum, tells us that since men are so mind-bogglingly incompetent/underconfident/selfish/insensitive/ what-have-you, we should just take over dating from their sad chocolate-stained little-boy hands, like we're in the process of taking over money, the arts, higher education, ethics, and general personal development.
And all this sounds really convenient. Except now what do the men have to do except shrug off responsibility in yet another sphere?
This is where I probably start alienating the readers. And I don't want to do that, because I am extremely sympathetic to this urge. I've seen enough male incompetence in the social scene (lord, come up to my ROOM, we can TALK about male incompetence) to be extremely tempted to just say "screw it" and orchestrate a romance -- ensnare a victim. But here's the crux: I can't do it. While I'm busy showing boys how to fix their essays and arguing theology with them and writing better fiction than them and dressing far snazzier than them, I don't also have time to effect a seduction. It makes me feel all tight and sick and miserable inside when I try. I love admiring boys, but when I add "convince one to ask me out and make him think it was all his idea" to my list of "things I do with men," (minds out of the gutter) it melts my day. It turns me into an insecure and shallow person of about age 12, analyzing every twitch of the face instead of composing my epic poem about the Missoula Floods. In sum, when I try to take over from boys in the dating sphere, I just end up resubjugating myself.
(Is 'resubjugating' a word? It should be. So too should 'scagwad,' as in, 'Eat plaster, you scagwads!' I hope one of these catches on.)
Speaking of scagwads -- has anyone thought that maybe, what with all the vital societal work that women do silently, efficiently, as easily as breathing, for millenia, maybe it's not entirely too much to expect a young man, even a confused and immature young man (because is there really any other kind?) to put on real clothes, risk vulnerability and rejection, approach a nice young lady, and offer to buy her coffee? Is it SO much to ask that boys do their fair share and engage in some courtship rituals? I don't think so. And I've realized that I don't want to be in a relationship dependant on my own clever engineering and mind control. I want a boy so devastated by my grasp of literary theory (or perhaps simply my liquid eyes and slammin' bod) that he is willing and eager to make a bit of effort so he might, quote, "get with this."
So as part of my personal women's lib, I have decided to engage in a social experiment. For one year, I shall confine my boyhunting to the general 3-step program outlined above. And in terms of initiating encounters, I shall restrain myself to that. Want to talk after class? Walk fast and catch up, cause I ain't lingering. Want to go somewhere, drink something? Great, you're paying/driving/deciding what and where. I refuse to keep mooning about. I am too damn busy to chase you. I am ready to be wooed. My motives here are purely selfish and mostly worldly, so I don't want this to read like some fluffy soft prairie-skirt Christian pseudo-chivalry code. I'd just like some class, and for some reason I don't think I'm particularly out of touch on this issue.
Savvy?
And if, after one year, this has failed to get me a decent date with a guy I actually don't hate/feel super-awkward around, then, come next September, I will get schmammered and slizzared at the Honors Program retreat and make it to first base with the first freshman male who's taller than me.
As a parting shot, I offer TLC and their thoughts on the male-female dynamic and power differential. Take it away, ladies.
Good night, good luck, and everyone remember to use the word scagwad in conversation.
Saturday, July 16, 2011
Declining Pronouns is Good for the Soul!
Or, My Doomed Excursions Into the Wondrous World of Conlang.
For my sweet innocent uncorrupted readers who know not what "conlang" signifies, I shall explain: conlang is a portmanteau of "constructed" and "language." In other words, it's that making-up-private-languages thing that only really dyed in the wool geeks can get into.
I'm footling around in it right now because it's about as much guilty pleasure as watching Jersey Shore while eating Chubby Hubby from the carton, and also to see if I can. There are different varieties of conlanging -- there's "auxlang," for instance, which is the development of a sort of lingua franca (usually Romance-based)that can be used for international communication, to further human knowledge and enlightened cultural exchange. Esperanto is the most well-known of these. Then there's "artlang," which has no higher purpose than "it's fun and I can make it do what I want, vwahaha." As usual, Wikipedia has more answers on this subject, should you seek them.
I've been working on this for a while now, following in the footsteps of my spiritual bff the great Dr. JRR, but recently I've had some time to get serious, and some assistance from the Language Construction Kit (which I ordered in book form as an early Christmas present to myself; highly recommended.) Bulleted below are my reflections on this process.
First, the b!^(#ing: For the many people who do artlang right, there are so so many (published) people who do it in a way that saddens me. I do not wish to be an unmitigated sourpuss... okay, yes I do. Christopher Paolini, here's looking at you, kid. I'm looking through the appendices to Eldest right now, and though I'm getting some threads of linguistic continuity, I'm also made a bit nervous by the fact that so many of his nouns seem to be verbs too (ex. skolir is glossed as shield [the noun? the verb?] and directly under that is used as an imperative, Skolir nosu..., Shield us....). Additionally, there seems to be a fairly one-to-one correspondance between the English words and their Ancient Language correspondents...which seems a bit unlikely... and even in the fairly limited vocabulary given there's at least one unexplained redundancy that my rather cursory look-over can find: malthinae is glossed as "to bind or hold in place; confine," but elsewhere the phrase "Brakka du vanyali sem huildar Saphira un eka," "Reduce the magic that holds Saphira and me," shows no sign of malthinae for "hold." Indeed, hold is probably "huildar," since the one-to-one correspondence with the translation would seem to indicate so, and because it sounds like the word "hold" rolled around on the tongue until it sounds just different enough to be unrecognizable and then stitched into the language.
Related note: eka, presumably "me," is also used as "I" later on. Presumably the Ancient Language has no respect for grammatical case (even less respect than that shown in English). Of course, that's perfectly okay. It's just a little...well... boring, don't you think? Especially considering that the Dwarvish (Dwarfish?) language seems to have a similar problem and a not-terribly-distinct phonology.
Less-related-but-still-pertinent note: All fantasy dwarves are the same. They're gruff, cunning, conniving, gold-hungry, honor-silly buggers who fight with axes and speak Nordically with lots of x's and z's and v's. Now, granted, folklore provides us with reason for the one, and Tolkien's Khuzdul (with its Barazinbar, Kibil-Nala and felak-gundu) with reason for the other. But wouldn't it be nifty if for once the Dwarves were more poetical and spoke a fluid, flowing language, soft as the flow of magma, swift as the wind that shapes the living earth, graceful as the spires of rock that grow in the cavernous gardens of the deep? I'm just saying. If you're gonna have dwarves, and you don't want to be called out as a stereotypical High Fantasy knockoff, well, why not? (And make the Elves nasty, why don't you?)
Still-tangential-but-perhaps-slightly-more-relevant note: The Dwarvish Mythology includes a "Morgothal," god of fire and brother of the god of air. It also includes a god who secretly creates the first Dwarves, which are then supplanted by the Elves, children of the Skyfather Zeus equivalent. Someone didn't just finish reading the Silmarillion (in which Morgoth, the fiery wad of Evil Incarnate, is a "brother in the thought of Eru" to Manwe, god of winds, and Aule gets in trouble for making Durin &Co before Eru creates the Elves), did he? Oh, no....
Plagiarizing bastard.
Sorry. I really really don't like Chris Paolini. Painful lack of skill I could empathize with. Mediocrity hailed by the slavering masses as genius I cannot.
Now we've got that out of the way, let's talk about me and my problems!
~ The Language Construction Kit (LCK) advises that like all things, one gets better at doing languages as one progresses, and advises starting with perhaps an "offstage" language so you don't end up several years down the line stuck with a well-developed and frequently-used language that has at its core some newbie mistakes, while your sophisticated and fascinating later languages are doomed to languish in relative obscurity as the mother-tongues of the Long-Dead or Foreign. Fair enough; instead of jumping right in and starting work on the lingua of linguas, I 've been chipping away at a language theoretically prescribed to an culture I don't much care for, with a horrifically complex and cosmopolitan history that will hopefully disguise or excuse any errors. Problem is, my motivation at times wanes apace. I don't want to work on the language I'm specifically designing to be a little naive or ugly. I want to fill it full of liquid consonants and baroque case systems! (But that's for later, I keep telling myself. Later....)
~Cases: oh my good golly gosh. I didn't know about the ergative/absolutive alternative to nominative/accusative! Whee!
~Verbs: verbs suck. You have to make so many decisions. I'm going with a simpler model and I keep telling myself that this is okay, that English verbs are even less complex. But the siren wail of Latin with its four conjugations and its Moods and Persons and Numbers and Voices and Principle Parts cries out to me. Trouble is, I know Latin well enough to know that its motivation is to shatter me against the linguistic Jetty of Despair.
~Even though I've got a rough system worked out for the verbing, and it ought to work -- indeed, I have not (yet) seen indications that it does not work -- it looks -- icky. It looks, frankly, like something I made up, which, okay, it is. But that's not the point!
~Phonology: this sucks as well. I fear I may have too many sounds. But I don't want to just eliminate them randomly. I want it to make sense, darnit!
In sum, I fear I am attempting once again to force order onto something fundamentally chaotic, and it's going to be...fun.
Enough of that. Time for the Adorable Large Dog Breed of the Week/Month/Year!
The Neapolitan Mastiff. IT'S SO WRINKLY I'M GONNA DIE.
Thank you, once again, ladies and gentlemen, for enduring this episode of I Air My Opinions, Totally Un-asked-for.
For my sweet innocent uncorrupted readers who know not what "conlang" signifies, I shall explain: conlang is a portmanteau of "constructed" and "language." In other words, it's that making-up-private-languages thing that only really dyed in the wool geeks can get into.
I'm footling around in it right now because it's about as much guilty pleasure as watching Jersey Shore while eating Chubby Hubby from the carton, and also to see if I can. There are different varieties of conlanging -- there's "auxlang," for instance, which is the development of a sort of lingua franca (usually Romance-based)that can be used for international communication, to further human knowledge and enlightened cultural exchange. Esperanto is the most well-known of these. Then there's "artlang," which has no higher purpose than "it's fun and I can make it do what I want, vwahaha." As usual, Wikipedia has more answers on this subject, should you seek them.
I've been working on this for a while now, following in the footsteps of my spiritual bff the great Dr. JRR, but recently I've had some time to get serious, and some assistance from the Language Construction Kit (which I ordered in book form as an early Christmas present to myself; highly recommended.) Bulleted below are my reflections on this process.
First, the b!^(#ing: For the many people who do artlang right, there are so so many (published) people who do it in a way that saddens me. I do not wish to be an unmitigated sourpuss... okay, yes I do. Christopher Paolini, here's looking at you, kid. I'm looking through the appendices to Eldest right now, and though I'm getting some threads of linguistic continuity, I'm also made a bit nervous by the fact that so many of his nouns seem to be verbs too (ex. skolir is glossed as shield [the noun? the verb?] and directly under that is used as an imperative, Skolir nosu..., Shield us....). Additionally, there seems to be a fairly one-to-one correspondance between the English words and their Ancient Language correspondents...which seems a bit unlikely... and even in the fairly limited vocabulary given there's at least one unexplained redundancy that my rather cursory look-over can find: malthinae is glossed as "to bind or hold in place; confine," but elsewhere the phrase "Brakka du vanyali sem huildar Saphira un eka," "Reduce the magic that holds Saphira and me," shows no sign of malthinae for "hold." Indeed, hold is probably "huildar," since the one-to-one correspondence with the translation would seem to indicate so, and because it sounds like the word "hold" rolled around on the tongue until it sounds just different enough to be unrecognizable and then stitched into the language.
Related note: eka, presumably "me," is also used as "I" later on. Presumably the Ancient Language has no respect for grammatical case (even less respect than that shown in English). Of course, that's perfectly okay. It's just a little...well... boring, don't you think? Especially considering that the Dwarvish (Dwarfish?) language seems to have a similar problem and a not-terribly-distinct phonology.
Less-related-but-still-pertinent note: All fantasy dwarves are the same. They're gruff, cunning, conniving, gold-hungry, honor-silly buggers who fight with axes and speak Nordically with lots of x's and z's and v's. Now, granted, folklore provides us with reason for the one, and Tolkien's Khuzdul (with its Barazinbar, Kibil-Nala and felak-gundu) with reason for the other. But wouldn't it be nifty if for once the Dwarves were more poetical and spoke a fluid, flowing language, soft as the flow of magma, swift as the wind that shapes the living earth, graceful as the spires of rock that grow in the cavernous gardens of the deep? I'm just saying. If you're gonna have dwarves, and you don't want to be called out as a stereotypical High Fantasy knockoff, well, why not? (And make the Elves nasty, why don't you?)
Still-tangential-but-perhaps-slightly-more-relevant note: The Dwarvish Mythology includes a "Morgothal," god of fire and brother of the god of air. It also includes a god who secretly creates the first Dwarves, which are then supplanted by the Elves, children of the Skyfather Zeus equivalent. Someone didn't just finish reading the Silmarillion (in which Morgoth, the fiery wad of Evil Incarnate, is a "brother in the thought of Eru" to Manwe, god of winds, and Aule gets in trouble for making Durin &Co before Eru creates the Elves), did he? Oh, no....
Plagiarizing bastard.
Sorry. I really really don't like Chris Paolini. Painful lack of skill I could empathize with. Mediocrity hailed by the slavering masses as genius I cannot.
Now we've got that out of the way, let's talk about me and my problems!
~ The Language Construction Kit (LCK) advises that like all things, one gets better at doing languages as one progresses, and advises starting with perhaps an "offstage" language so you don't end up several years down the line stuck with a well-developed and frequently-used language that has at its core some newbie mistakes, while your sophisticated and fascinating later languages are doomed to languish in relative obscurity as the mother-tongues of the Long-Dead or Foreign. Fair enough; instead of jumping right in and starting work on the lingua of linguas, I 've been chipping away at a language theoretically prescribed to an culture I don't much care for, with a horrifically complex and cosmopolitan history that will hopefully disguise or excuse any errors. Problem is, my motivation at times wanes apace. I don't want to work on the language I'm specifically designing to be a little naive or ugly. I want to fill it full of liquid consonants and baroque case systems! (But that's for later, I keep telling myself. Later....)
~Cases: oh my good golly gosh. I didn't know about the ergative/absolutive alternative to nominative/accusative! Whee!
~Verbs: verbs suck. You have to make so many decisions. I'm going with a simpler model and I keep telling myself that this is okay, that English verbs are even less complex. But the siren wail of Latin with its four conjugations and its Moods and Persons and Numbers and Voices and Principle Parts cries out to me. Trouble is, I know Latin well enough to know that its motivation is to shatter me against the linguistic Jetty of Despair.
~Even though I've got a rough system worked out for the verbing, and it ought to work -- indeed, I have not (yet) seen indications that it does not work -- it looks -- icky. It looks, frankly, like something I made up, which, okay, it is. But that's not the point!
~Phonology: this sucks as well. I fear I may have too many sounds. But I don't want to just eliminate them randomly. I want it to make sense, darnit!
In sum, I fear I am attempting once again to force order onto something fundamentally chaotic, and it's going to be...fun.
Enough of that. Time for the Adorable Large Dog Breed of the Week/Month/Year!
The Neapolitan Mastiff. IT'S SO WRINKLY I'M GONNA DIE.
Thank you, once again, ladies and gentlemen, for enduring this episode of I Air My Opinions, Totally Un-asked-for.
Thursday, June 9, 2011
5 White INTJ Phlegmatic-Melancholic with Knobs On
First Themed Post, Yaaay!
One thing that always catches my eye is personality tests. They intrigue me to no end. Same holds true for sillier things, like horoscopes and numerology profiles. I'm not exactly sure why this is, but one thing is fairly certain: I am as well-informed about myself as it is possible to be by taking free internet quizzes.
Here, then, is an overview of my favorites.
Myers-Briggs: Classic and fairly well-known. Not my favorite because I find its insights a bit worthless, because I dislike the "jobs" focus (eg., people who fit this profile would be good at job x or y), and because I can never get the same result twice. The Myers-Briggs gives you a four-letter acronym that describes your preferred way to approach the world, for a total of 16 separate types. The first two letters are always easy for me -- IN (That's Introverted and iNtuitive, versus Extroverted and Sensing). But the next two letters waver depending on my mood. Usually I'm T(hinking) rather than F(eeling), but I'm always offended by being described as analytical and unemotional -- even though evidence for this being true is rapidly accumulating. And whether I am J(udging) or P(erceiving) varies on an hourly basis, so I'm really not too sure there.
Considering other tests I've taken, I'm probably INTP (at least for today). Take the test here (warning: it's a bit long) or just browse around the theory and come to your own conclusions here.
Colors: This is also a fun one with many variations. Only four basic types, but they're pretty efficient (don't worry, you can blend the colors). I am a White -- meaning I am a boring pacifist who resists change and tries to keep everyone happy (purely out of selfish motives --so they'll leave me alone). Reds are CEO-type strong personalities, Blues are nurturing and detail-oriented, and Yellows are adventurous and fun but take nothing seriously. See what color you are here.
Humours: Popular with the Catholic set, and fairly snazzy, if only for its deliciously medieval tang. Based originally in the idea that diseases and personalities were determined by different fluids, or humours, in the body, it still does a pretty good job of divvying people up (don't worry, you can blend here too). As far as I can figure it, Sanguines are extroverted and prone to be happy, Cholerics are extroverted but less happy, Phlegmatics are introverted and easy-going, and Melancholics are introverted and prone to depression and perfectionism. I am primarily Phlegmatic (because I just want everyone to get along), but have a broad streak of the Melancholic due to my occasional fits of romantic brooding and unfortunate predilection for analysis (lamented above). Try it on yourself here.
If the Catholic medieval intellectual tradition is not your cup of tea, a comparable mind-body thing is the notion of the Doshas in Ayurvedic tradition. (I'm somewhere between a Kappha and a Vata).
The Enneagram: I have not yet tortured my family with this one yet. I'm fairly new to it, and it contains complexities that are still strange to me, but it pleases me. There are nine options on this one, each described by a number (hooray). I am a 5, as far as I can figure. Be prepared to be described in terms of your primary motivation and suffer some confusion with other "points." See for yourself here.
Just for fun: Horoscopes are delightful, if invariably a load of hooey. See if you better match your "old" or "new" sign, learn how to use corny pick-up lines, and learn about the mysterious 13th sign, Ophiuchus.
Burned out on star signs? Play with numerology.
Love Language: This will explain to the others in your life how they can better express their overwhelming esteem. Short, fluffy.
The Other Color Test: Even shorter and fluffier.
Well, if you are not more in tune with yourself, your deepest desires, and your aesthetic needs, then at least you've wasted time in a (hopefully) pleasing fashion. Do stop by again, cousins.
One thing that always catches my eye is personality tests. They intrigue me to no end. Same holds true for sillier things, like horoscopes and numerology profiles. I'm not exactly sure why this is, but one thing is fairly certain: I am as well-informed about myself as it is possible to be by taking free internet quizzes.
Here, then, is an overview of my favorites.
Myers-Briggs: Classic and fairly well-known. Not my favorite because I find its insights a bit worthless, because I dislike the "jobs" focus (eg., people who fit this profile would be good at job x or y), and because I can never get the same result twice. The Myers-Briggs gives you a four-letter acronym that describes your preferred way to approach the world, for a total of 16 separate types. The first two letters are always easy for me -- IN (That's Introverted and iNtuitive, versus Extroverted and Sensing). But the next two letters waver depending on my mood. Usually I'm T(hinking) rather than F(eeling), but I'm always offended by being described as analytical and unemotional -- even though evidence for this being true is rapidly accumulating. And whether I am J(udging) or P(erceiving) varies on an hourly basis, so I'm really not too sure there.
Considering other tests I've taken, I'm probably INTP (at least for today). Take the test here (warning: it's a bit long) or just browse around the theory and come to your own conclusions here.
Colors: This is also a fun one with many variations. Only four basic types, but they're pretty efficient (don't worry, you can blend the colors). I am a White -- meaning I am a boring pacifist who resists change and tries to keep everyone happy (purely out of selfish motives --so they'll leave me alone). Reds are CEO-type strong personalities, Blues are nurturing and detail-oriented, and Yellows are adventurous and fun but take nothing seriously. See what color you are here.
Humours: Popular with the Catholic set, and fairly snazzy, if only for its deliciously medieval tang. Based originally in the idea that diseases and personalities were determined by different fluids, or humours, in the body, it still does a pretty good job of divvying people up (don't worry, you can blend here too). As far as I can figure it, Sanguines are extroverted and prone to be happy, Cholerics are extroverted but less happy, Phlegmatics are introverted and easy-going, and Melancholics are introverted and prone to depression and perfectionism. I am primarily Phlegmatic (because I just want everyone to get along), but have a broad streak of the Melancholic due to my occasional fits of romantic brooding and unfortunate predilection for analysis (lamented above). Try it on yourself here.
If the Catholic medieval intellectual tradition is not your cup of tea, a comparable mind-body thing is the notion of the Doshas in Ayurvedic tradition. (I'm somewhere between a Kappha and a Vata).
The Enneagram: I have not yet tortured my family with this one yet. I'm fairly new to it, and it contains complexities that are still strange to me, but it pleases me. There are nine options on this one, each described by a number (hooray). I am a 5, as far as I can figure. Be prepared to be described in terms of your primary motivation and suffer some confusion with other "points." See for yourself here.
Just for fun: Horoscopes are delightful, if invariably a load of hooey. See if you better match your "old" or "new" sign, learn how to use corny pick-up lines, and learn about the mysterious 13th sign, Ophiuchus.
Burned out on star signs? Play with numerology.
Love Language: This will explain to the others in your life how they can better express their overwhelming esteem. Short, fluffy.
The Other Color Test: Even shorter and fluffier.
Well, if you are not more in tune with yourself, your deepest desires, and your aesthetic needs, then at least you've wasted time in a (hopefully) pleasing fashion. Do stop by again, cousins.
Monday, June 6, 2011
On June, and Coping
First of all: Representative Weiner. He is so very unfortunate, and that is all I have to say.
That's a lie. The other thing I have to say is a hypothesis that the reason the Weiner thing has become such a big deal is because the newscasters are tickled that they get to say "Weiner" so frequently on national TV. If he had a boring name like "Smith" or one that was hard to pronounce, like "Blagojevich," it would not be so incessantly, eternally talked-about. (Of course, it would not be half so funny, either.)
I am learning how to deal with it being summer and me having nothing to do but contemplate my mortality. My attitudes toward this question are threefold, and best represented in song.
1) Violent apathy. This is a difficult emotion to achieve. It consists of not caring so fiercely that you want to claw people's eyes out. You will get the idea by listening to "Nowhere Fast" by The Smiths. Ah, Morrissey.
2) Detached benevolence. Yes, sure, the world is full of misery and woe, but we'll all be dead soon enough, right? So let's just chill and have margaritas. See "Not Gonna Let It Bother Me Tonight" from the inimicable and grossly underrated Atlanta Rhythm Section.
3) Courageous acceptance. This one is slightly more difficult, as I am new to being brave. I'm really not sure how to do it yet, but the fact that the possibility is now there is something to celebrate. IN SONG! "Let's Dance to Joy Division" by my dear Wombats.
Summer reading: I am trying to slowly gather materials for my thesis. All the books and "Best of" lists and everything recommended the Thomas Covenant Series. Perhaps I was a bit too hasty, but within the first 100 pages I was filled with a violent antipathy. I did not finish it. Lack of moral fibre (see last post)? Perhaps. But anyway, I have since moved on to the monumental Malazan Book of the Fallen, by Steven Erikson. (First volume in the series is Gardens of the Moon; get it in hardcover because the paperback has obscenely tiny print.) Now, one does not read these books to understand the story. It's too big. If I had infinite amounts of time I would read these books (each 600+ pages of, as I've said, teeny tiny print) a few times, and maybe I'd finally get the plot down. As it is, I just sort of let them wash over me, trying to read one or two a year. Each one has a moment that makes me curl up and wail with grief over the injustice of character X suffering whatever grisly fate Erikson has chosen for him. I do this very rarely for books. Also rare is my willingness to tolerate taunting for such abominable cover art (the joker who dreamt up the cover for Memories of Ice has earned my eternal wrath and The Snarling Id's very first Bad Fantasy Art Award. Yes, that man has tiger stripes. Yes, that's Canon for the series. And yes, it looks unnecessarily ridiculous).
Also trying to work up the courage to reread Game of Thrones, since apparently there's a miniseries now. (Eeee!) But more importantly: mysteries. I have been procrastinating on all my 'scholarly' reading by using frippery and Rex Stout novels. Rex Stout wrote a metric tonne of books about Nero Wolfe. I rather wish I were on Nero Wolfe's staff, because his tantrums are hysterical.
Writer's block softened, but now I am in a pickle, in which I have no idea how tightly various plot threads will be tied and how to get them to touch each other. That's all right, though... I keep telling myself it's all right, anyway.....
No new band names, but a New Blog Feature: the Obscure Large Dog Breed of the Indefinite Period of Time! The pick for this Indefinite Period of Time is the Cane Corso, an Italian mastiff-style thing that will happily tear your throat out.
It's also SO ADORABLE I'M GOING TO DIE.
Oh boy, puppy overload.
Well, this turned out longer than I thought it would, and yet I feel as though I haven't really said anything. Keep your eyes open for the next post, which will be all about Personality Tests and Other Nifty Elements.
And remember, the world hasn't ended yet!
Keep on trucking, ladies and gentlemen.
That's a lie. The other thing I have to say is a hypothesis that the reason the Weiner thing has become such a big deal is because the newscasters are tickled that they get to say "Weiner" so frequently on national TV. If he had a boring name like "Smith" or one that was hard to pronounce, like "Blagojevich," it would not be so incessantly, eternally talked-about. (Of course, it would not be half so funny, either.)
I am learning how to deal with it being summer and me having nothing to do but contemplate my mortality. My attitudes toward this question are threefold, and best represented in song.
1) Violent apathy. This is a difficult emotion to achieve. It consists of not caring so fiercely that you want to claw people's eyes out. You will get the idea by listening to "Nowhere Fast" by The Smiths. Ah, Morrissey.
2) Detached benevolence. Yes, sure, the world is full of misery and woe, but we'll all be dead soon enough, right? So let's just chill and have margaritas. See "Not Gonna Let It Bother Me Tonight" from the inimicable and grossly underrated Atlanta Rhythm Section.
3) Courageous acceptance. This one is slightly more difficult, as I am new to being brave. I'm really not sure how to do it yet, but the fact that the possibility is now there is something to celebrate. IN SONG! "Let's Dance to Joy Division" by my dear Wombats.
Summer reading: I am trying to slowly gather materials for my thesis. All the books and "Best of" lists and everything recommended the Thomas Covenant Series. Perhaps I was a bit too hasty, but within the first 100 pages I was filled with a violent antipathy. I did not finish it. Lack of moral fibre (see last post)? Perhaps. But anyway, I have since moved on to the monumental Malazan Book of the Fallen, by Steven Erikson. (First volume in the series is Gardens of the Moon; get it in hardcover because the paperback has obscenely tiny print.) Now, one does not read these books to understand the story. It's too big. If I had infinite amounts of time I would read these books (each 600+ pages of, as I've said, teeny tiny print) a few times, and maybe I'd finally get the plot down. As it is, I just sort of let them wash over me, trying to read one or two a year. Each one has a moment that makes me curl up and wail with grief over the injustice of character X suffering whatever grisly fate Erikson has chosen for him. I do this very rarely for books. Also rare is my willingness to tolerate taunting for such abominable cover art (the joker who dreamt up the cover for Memories of Ice has earned my eternal wrath and The Snarling Id's very first Bad Fantasy Art Award. Yes, that man has tiger stripes. Yes, that's Canon for the series. And yes, it looks unnecessarily ridiculous).
Also trying to work up the courage to reread Game of Thrones, since apparently there's a miniseries now. (Eeee!) But more importantly: mysteries. I have been procrastinating on all my 'scholarly' reading by using frippery and Rex Stout novels. Rex Stout wrote a metric tonne of books about Nero Wolfe. I rather wish I were on Nero Wolfe's staff, because his tantrums are hysterical.
Writer's block softened, but now I am in a pickle, in which I have no idea how tightly various plot threads will be tied and how to get them to touch each other. That's all right, though... I keep telling myself it's all right, anyway.....
No new band names, but a New Blog Feature: the Obscure Large Dog Breed of the Indefinite Period of Time! The pick for this Indefinite Period of Time is the Cane Corso, an Italian mastiff-style thing that will happily tear your throat out.
It's also SO ADORABLE I'M GOING TO DIE.
Oh boy, puppy overload.
Well, this turned out longer than I thought it would, and yet I feel as though I haven't really said anything. Keep your eyes open for the next post, which will be all about Personality Tests and Other Nifty Elements.
And remember, the world hasn't ended yet!
Keep on trucking, ladies and gentlemen.
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